I love walking at night. I'm so glad I live somewhere where I can just tumble out of the house at any time of night and walk around for as long as I want. Sometimes I walk up into the hills and worry about the mountain lions, but I figure as long as I'm not getting off a school bus, I'm probably okay (thanks, Signal/Noise, for that lion-happy-meal factoid). Plus it gets so nice and misty, and I find mist to be good meteorology for thinking. There was this crazy guy who was always trying to get the Atlantic to publish his essay about being a person who likes to walk, and I feel like him whenever I think about how much I enjoy my late night constitutionals. He sent Mike Curtis the ultimate insult: a recycled death threat, a photocopy of one he'd actually addressed and sent to Roger Angell. My future!
Anyway, I always want to write in the morning, and fret that I won't be a real writer unless I get up early and do a few good hours, coffee cup in hand, but on my walk I decided that I'm just a night-time writer. I like to write at night and revise in the afternoon, which may have been why Squaw was so perfect. After I thought that, I went home and wrote something I hope is salvagable. But the point of this thought is that HenHen and I had such success writing in a bar at night that I think we should continue that tradition when everyone's back in Irvine. After all, Steelhead captures that fakey, overpriced vibe that was so productive for us almost perfectly.
Watch out for the big cats. They're even more dangerous than I once thought.
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